The exhibition takes the viewer into the space of the attic - a marginal, hidden space that usually exists outside the zone of people's everyday life. The space and the works of artists collected in it are the embodiment of subconscious emotions and fears that arise in these works. This approach, strengthened by the development of psychoanalysis, is particularly evident from the time of Sigmund Freud to Carl Jung, who paid great attention to the role of dreams. He was followed by both writers and artists, whose works ended up in the space of the attic - the “territory” of dreams, the “territory” of unbridled imagination. From his point of view, reality appears caricatured, inadequate, immersed in loneliness, but at the same time saturated with colors, crowds, joy and fear. This space becomes a house, outside of which imagination turns out to be the last value, turning what is lost into an oneiric house that has lost track of time. However, the fairy house in the exhibition represents a deeper thread than the family home and responds to deeper needs as it rises above the underground crypt of the oneiric house. Understood in this way, it becomes identical to a person, and its different locations correspond to different layers not only of the human “psyche”, but also of the human physicality.