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eng Automatic Translation

Grigory Ivanov

1952

Painter.

Simple joys, quiet dreaminess, pure souls - all this touches in the soft, lyrical works of the painter.

Works mainly in easel painting. The works are in the collection of the Museum of Modern Art in Minsk, the National Polotsk Historical and Cultural Museum-Reserve, the National Museum of History and Culture of Belarus, the Jersey Museum of Contemporary Russian Art, USA, the Museum of the City of Payerne, Switzerland.

In private collections in Russia, Belarus, Poland, Germany, Italy, Sweden, England, Switzerland, France, the Netherlands, USA.

Groups

Selected events

Selected Artwork Series

Selected artworks

Associated institutions

Associated Documents

Selected dates:

March 28, 1952

Born in Khabarovsk, Russia.

1967-1971

He studied at the Minsk Art College named after Glebov .

1971-1976

He studied at the Belarusian Theater and Art Institute (now the Belarusian State Academy of Arts ).

1989

He became a member of the Belarusian Union of Artists , a member of the creative association of artists "Artel" . He was a member of the Pluralis group . Participant of numerous exhibitions and international projects.

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The artist about his practice:

"About the direction in which I work, I would call the direction of light - lightism. The space of light is what always attracts me and inspires my creativity. The space of light is woven from love and harmony, it is inhabited by people, angels and animals.

Nature, music and architecture are organically woven into it. A space where the world of fantasy and dreams converge. The space in which the image dissolves and transforms into light. Metamorphoses of color, light and form. Seeking that primeval light, and God said, "Let there be light." This is how Lightism appeared - the highest manifestation of my divine self.

"Nikola Tesla, an engineer, physicist, inventor, philosopher, said: "Everything is light," and one day I understood it very well. only light. The longer I looked at the screen, the more distinct was the thought that someone was looking at me from the screen, and this someone was God. My author's style was the result of the realization that everyone and everything - objects, objects, people - light. And the picture itself is a luminous object. What is depicted is not illuminated by any source of light, but itself glows ... "

The time has come for “universal and complete film adaptation,” says Grigory Ivanov. “Cell phones, laptops, TVs, gadgets - everything has a luminous window. Humanity eagerly peers into screens. the visitor of the gallery moves to the picture and peers intently at it, after a certain time he will certainly begin to communicate with some higher forces. Pictures-screens respond to the touch of a glance. A person only needs to choose his screen, which will restore his psycho-energetic balance, create harmony in his soul."