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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

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eng Automatic Translation

Pahonia

1989
Artistic group within the framework of membership in the Union of Artists of Belarus.The goal of the community is the development of the national art of Belarus, the preservation of its continuity, the enrichment of traditions, the preservation and enhancement of the artistic heritage of the cultural and historical heritage. All for the awakening of the national self-consciousness of the people, its spiritual, cultural and state revival.Representatives of the community organize exhibitions of their works almost every year, some of which are removed at the request of officials.

Associated Documents

Татьяна Марковец-Гаранская
История сообщества "Погоня"
publication
Анна Кузьмич, Art Kurator
Перестройка в изобразительном искусстве Беларуси
публикация

Articles on KALEKTAR

Sergey Shabohin
Volha Arkhipava: “The culture and history of Belarus are an excellent source of inspiration and future prospects”
[ mentioned ]

Selected dates:

1990

The group was created as part of membership in the Union of Artists of Belarus. It was founded by the artists Aleksey Marochkin, Yevgeny Kulik, Viktor Markavets, Nikolai Kupava, brothers Vladimir and Mikhas Basalygi and hastily implemented in the famous workshop "On the paddashku" (from the Belarusian "Attic").

  • 1990-1998

  • Community leader Alexey Marochkin .

  • 1998-2004

  • Community leader Nikolai Kupava .

  • 2004-2007

  • Community leader Lev Talbuzin .

  • 2007-2011

  • Aleksey Marochkin becomes the head of the community again.

  • 2011-2016

  • Community leader Gennady Drozdov .

2015

Due to censorship , officials removed 3 works from the exhibition "Pursuit": paintings by Ales Mary "Duel or Resistance to a two-headed mutant", Ales Pushkin "In memory of Belarusians who died for Ukraine" and a portrait of an American artist of Belarusian origin Galina Rusak created by Viktor Markovets. Moreover, the last canvas was removed only because the background of the picture resembled a censor's white-red-white flag.

2016

The creative community "Pursuit" includes a little over fifty Belarusian artists.

Since 2017

  • Community leader Igor Marochkin .

Page created 2/10/2022
Last modified 4/12/2024
Editors:
Katsiaryna Patsouskaya Iryna Khalalovich INDEX