belrus
  • 2026
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • 2006
  • 2005
  • 2004
  • 2003
  • 2002
  • 2001
  • 2000
  • 1999
  • 1998
  • 1997
  • 1996
  • 1995
  • 1994
  • 1993
  • 1992
  • 1991
  • 1990
  • 1989
  • 1988
  • 1987
  • 1986
  • 1985
  • 1982
  • 1977
  • 1976
  • 1974
  • 1972
  • 1971
  • 1970
  • 1969
  • 1962
  • 1960
  • 1958
  • 1956
  • 1954
  • 1953
  • 1952
  • 1937
  • 1932
  • 1930
  • 1927
  • 1925
  • 1921
  • 1920
  • 1919
  • 1912
  • 1891

2026

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

eng Translation Pending Review

Semyon Gerus

1925 – 1998

Graphic artist

He worked in easel graphics. He was the first Belarusian artist in the post-war years to turn to historical themes in visual art.

Selected artworks

Associated Documents

Related

November 21, 1925, born in the village of Kunichna (Novogrudok district, Grodno region)

1946-1952 Studied at the State Art Institute of the Lithuanian SSR in Vilnius. Teachers: I. Kuzminskis and V. Jurkūnas.

The diploma work is a series of autolithographs “Liberation and Restoration”.

1945 Graduated from the Novogrudok Pedagogical School,

1952 Vilnius Art Institute.

In 1953, at the invitation of the Belarusian Theatre and Art Institute, he moved from Vilnius to Minsk to create a graphics department and a printmaking workshop.

He was the first instructor in the graphic arts department of the art faculty, teaching graphic art techniques such as linocut, woodcut, lithography, etching, drypoint, aquatint, and others, and encouraged students to explore historical themes. He worked at the institute until 1967. Among S. Gerus's students were Arlen Kashkurevich, Ludwig Osetsky, and others.

He worked in easel graphics, linocut, etching and lithography. His main works include the sheets "The Partisan Oath", "The Destruction of the Lord's Court" (1956), "The Builder of Minsk" (1958), "The Museum of the First Congress of the RSDLP" (1967); the series "We Are Belarusians" (1968), "Old Minsk" (1969), and landscapes. He created a number of portraits: "Adam Mickiewicz" (1954), "Composer E. Tikotsky" (1957), "Poet P. Makal" (1963), and "Writer P. Brovka" (1967). He completed a series of portrait sketches and drawings as a result of his trips to Bulgaria and England.

He worked as an editor of the art expert board of the Ministry of Culture of the BSSR.

From 1953 to 1966 he taught at the Belarusian State Theatre and Art Institute.

Semyon Gerus regularly presented his work at republican, all-Union, and international exhibitions. He promoted graphic art and was actively involved in the republic's social and cultural life, for which he received honorary awards.

He was awarded the Certificate of Honor of the Supreme Council of the BSSR and two bronze medals of the USSR Exhibition of Economic Achievements.