belrus
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
  • 2007
  • 2006
  • 2005
  • 2004
  • 2003
  • 2002
  • 2001
  • 2000
  • 1999
  • 1998
  • 1997
  • 1996
  • 1995
  • 1994
  • 1993
  • 1992
  • 1991
  • 1990
  • 1989
  • 1988
  • 1987
  • 1986
  • 1985
  • 1982
  • 1977
  • 1976
  • 1974
  • 1972
  • 1971
  • 1970
  • 1969
  • 1962
  • 1960
  • 1958
  • 1956
  • 1954
  • 1953
  • 1952
  • 1937
  • 1932
  • 1930
  • 1927
  • 1925
  • 1921
  • 1920
  • 1919
  • 1912
  • 1891

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

eng Automatic Translation

The long road home

Masha Mаroz 2020
Fragment of installation, agrotextile, 3D printing, banner, wood, glass, polymer clay, ceramics, digital printing, black soil, size varies. National Centre for Contemporary Art, Minsk, Belarus. With permission of the artist.

Selected artworks

In the traditional value system of Belarusians, home is one of the key concepts, correlated with ideas about life, order, fate, family, and the human world as a whole. The project arose as a result of understanding the socio-cultural situation in Belarus.

The presentation of the work as an allusion to the traditional interior of housing in the Polesie region (southwest Belarus) arose as a result of understanding the socio-cultural situation in Belarus. It serves to touch not only the visual component of folk culture, but also sacred knowledge that our ancestors integrated into the attributes of home decoration, into everyday life, materializing the philosophy of creating a home, organizing space for life. The project reveals the matrix where the subject of folk culture ended up - the people, and not the culture itself. Tradition is a channel used to transmit vital information for society. The authoritarian regime folklorized it and blocked the modern, turning the naive and spiritual into a primitive, nominal model of being. But it is impossible to imitate authenticity and establish control over the spontaneity of identity.