belrus
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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

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1891

eng Automatic Translation

Ivan Gavris

1890 – 1937

Ivan Trofimovich Gavris, artist, graphic artist, teacher, public figure. In 1919 he entered the Vitebsk Folk Art School. He studied the systems of Futurism, Cubism and Suprematism. He was a member of the creative committee "UNOVIS". Rector of the Vitebsk Artistic and Practical Institute.

Groups

UNOVIS (Hardeners of the New Art)
art collective

Selected artworks

Ivan Gavris
Кубистическая композиция с фигурой
1922, painting
Ivan Gavris
Кубизм
1922, painting
Иван Гаврис (Гавриш)
Кубистическое построение
1921, painting
Ivan Gavris
Кубизм
1921, painting
Ivan Gavris
Кубистическая композиция
1921, painting

Associated institutions

Vitebsk Folk Art School
education system
[ graduate ]

Articles on KALEKTAR

Lizaveta Stsiatsko
Review: "I look at Belarus and think – prison. The aspect of prison in Belarusian art"
[ mentioned ]

Associated Documents

Chrysalis Mag
Political prisoners of the 1930s. Stories of repressed Belarusian artists
publication
Памятны крыж з таблічкай на месцы расстрэла Івана Гаўрыса
photo document
Учени_цы и преподавател_ьницы УНОВИС у агитвагона
photo document
UNOVIS (Hardeners of the New Art)
Список членов УНОВИСа
список

Selected dates:

1919

Entered the Vitebsk Art College. During his studies, he was a member of the creative committee of UNOVIS.

1921

He was deputy rector V. Ermolaeva and led the Artistic and Practical Institute during her business trips.

1922

Gavris graduated from the Vitebsk Art and Practical Institute with a diploma "for the title of a free artist and a higher instructor with the right to teach in art technical schools."

August 15, 1922

He is the acting rector of the institute.

1920 - 1930s

Gavris is an active figure in the Belarusian revival, striving to create modern national art on ethnographic foundations.

1937

Sentenced to death as a member of the "Polish Military Organization".

Page created 12/4/2021
Last modified 11/17/2023
Editors:
Katsiaryna Patsouskaya INDEX Iryna Khalalovich