belrus
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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

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1977

1976

1974

1972

1971

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1962

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eng Automatic Translation

Antonina Stebur

1984

Curator, researcher.

Areas of interest: community, horizontal connections, femme criticism, history, social choreography.

Lives and works in Berlin and Warsaw.

Groups

Lady comfortable at home (#дамаудобнаявбыту)
group

Selected events

Sense of Safety
2024. group project
[ curator ]
Птушкі з народам
2023 – 2024. solo show
[ curator ]
Imagining OpenMuzej Belarus:  community, contemporary art, engagement 
2023
[ спикерка ]
If Disrupted, It Becomes Tangible. Infrastructures and Solidarities Beyond the Post-Soviet Condition
2023. group project, overseas event
[ curator ]
antiwarcoalition.art
2022. international event
[ co-author ]
Every Day. Art. Solidarity. Resistance
2021. group project, large-scale exhibition, overseas event, international event
[ co-curator ]
Names
2017. group project
[ curator ]
Карантин
2016. solo show
[ curator ]

Selected Artwork Series

Nadya Sayapina
Dollhouse
2020 – 2021, series of installations, graphic series

Selected artworks

Sergey Shabohin
Social Marble: the rise of civil society in Belarus
2020, total installation, promotion, archival work
[ contributor ]

Associated institutions

Antiwarcoalition.art (platform)
internet resource
[ co-author ]
Award of the Bureau of the Month of Photography in Minsk
prize
[ winner ]
Month of Photography in Minsk
festival headquarters
[ curator, pr / продвижение, coordinator ]
pARTisanka
mass media
[ author of the text ]
Open Muzej (OM)
museum, research institution
[ co-leader ]
European Humanities University
high school
[ graduate, master ]
Belarusian State University
high school
[ graduate ]
OM Podcast
mass media
[ co-organizer ]

Articles on KALEKTAR

Antonina Stebur
"I felt like I was always driven by shame": how to learn to read again
Antonina Stebur
"Я чувствовал себя вечно подгоняемым стыдом": как научиться читать заново
Open Muzej (OM) , Ambasada Kultury, Pilecki Institut
Conference Imagining OpenMuzej Belarus
[ mentioned ]
Camilla Harutyunyan , Sophia Sadovskaya
Review: "Art as a meeting place. Inclusion in the history of Belarusian contemporary art"
[ mentioned ]
Sergey Shabohin
Aleksei Borisionok and Antonina Stebur: "If Disrupted, It Becomes Tangible. Infrastructures and Solidarities Beyond the Post-Soviet Condition"
[ respondent, mentioned ]
OM Podcast
Teaser: OM Podcast
[ mentioned ]
OM Podcast
Episode 1: Open Muzej
[ mentioned, mentioned ]
KALEKTAR, Andrei Dureika
Results of 2023
[ mentioned ]
OM Podcast
Episodes 3 and 4: Museum and Community
[ respondent, mentioned ]
KALEKTAR
Review: Digital art practices in Belarusian art
[ mentioned ]
OM Podcast
Episodes 6 and 7: Museum and Wars
[ respondent, mentioned ]

Associated Documents

Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Antonina Stebur
"Я чувствовал себя вечно подгоняемым стыдом": как научиться читать заново
publication
Afterimage, Olga Kopenkina
Exhibition Review: Every Day. Art. Solidarity. Resistance. Mystetskiy Arsenal. Kyiv, Ukraine: May 3–June 6, 2021
публикация
Status, Antonina Stebur
We are all good people
publication
Художественная практика и социальные изменения. Наблюдения из Беларуси и Швеции
edition
Статус, Antonina Stebur
Kirill Diomchev: "I Already Realized That It Is a Breach"
publication
pARTisanka (№34)
newspapers / magazines

Selected dates:

1984

Born in Minsk (BSSR, today the Republic of Belarus).

Graduated from BSU (specialty - philosophy). European Humanitarian University (Master of Science)

She graduated from Yerevan State University (Master of Sociology) with a degree in Contemporary Visual and Cultural Studies.

Participated in the school of involved art “What to do?”.

2022

She became the winner of one of the prestigious awards awarded to curators and critics of Central, Eastern and South-Eastern Europe, the Igor Zabel Award in the field of culture and theory (Igor Zabel Association for Culture and Theory). “In recognition of her exceptional strength of resistance, commitment to the decolonization of Belarusian art, and belief that art is a practical tool for political imagination,” Antonina Stebur was recognized as one of three outstanding researchers of the new generation.

From 2022

She is co-curator of The International Coalition of Cultural Workers in Soliuidaruty with Ukraine ( antiwarcoalition.art).

Page created 9/14/2021
Last modified 10/11/2023
Editors:
INDEX Mikita Bubashkin Maxim Tyminko