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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

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1972

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1891

Nadya Sayapina

1989

An interdisciplinary artist, working in the field of socially engaged and community based  art, positioning herself as a mediator to reveals the voices of the "others"—those excluded, vulnerable, and traumatized. Presented in various forms such as multimedia, performance, installation, text, and fine art, her art strives to become a platform for highlighting the critical issues and discovering the profound social role of art. She employs methods of interviewing, surveys, data collection, and participatory and art-therapy practices, to articulate both the common and the unique within the polyphony of community experiences. She often uses the self/body as a powerful medium for her artistic expression.Through these methods, the artist aims to open pathways for self-reflection, overcome traumatic experiences and the cultivation of empathy.

Lives and works in Warsaw, Poland.

-

Personal site:

https://cargocollective.com/NadyaSayapina

Selected events

POKUĆ
2024. exhibition
[ participant, dedication ]
Sometimes I hold onto the air
2024. large-scale exhibition
[ participant ]
Secondary Archive on Manifesta 14
2022. festival headquarters, international event, overseas event
[ participant ]
antiwarcoalition.art
2022. international event
[ participant ]
Echoes – Voices from Belarus III
2022. international event, overseas event, междисциплинарное событие
[ author, performer, video author ]
Belarus // Screams of the Silenced
2021. group project, overseas event
[ participant ]
Every Day. Art. Solidarity. Resistance
2021. group project, large-scale exhibition, overseas event, international event
[ participant ]
Belarus. Protest. Art.
2020. group project, overseas event
[ participant ]

Selected Artwork Series

Nadya Sayapina
Krajaviedy
2024, graphic series
Nadya Sayapina
Ciažar blukannia / The Burden of Wandering
2024, object series
Zhanna Gladko, Lesia Pcholka, Nadya Sayapina
Echoes – Voices from Belarus III
2022, multimedia series, performative series
Antiwarcoalition.art
Antiwarcoalition.art
2022, серия инсталляций, серия видео
Nadya Sayapina
TEMPORALITY
2022, multimedia series, photo series
Nadya Sayapina
Х LETTERS
2022 – 2023, серия видео
Nadya Sayapina
Postcard nowhere
2021 – 2022, graphic series
Nadya Sayapina
Dollhouse
2020 – 2021, series of installations, graphic series
Nadya Sayapina, Tanya Kapitonova
WHAT SHE WEARS BENEATH
2020, photo series, object series

Selected artworks

Nadya Sayapina
POKUĆ
2024, multimedia work, installation
Nadya Sayapina
Pokuć
2024, video
[ author, participant ]
Nadya Sayapina
Letter to Mom
2021 – 2023, performance, interdisciplinary project, video
[ author, performer ]
Nadya Sayapina
We Washed Each Other's Hair
2021, video
[ author, depicted ]
Nadya Sayapina
Property
2020, promotion, performance
Sergey Shabohin
Social Marble: the rise of civil society in Belarus
2020, total installation, promotion, archival work
[ contributor ]

Associated institutions

Secondary Archive
archive
[ presented ]
Belarusian State University of Culture and Arts
high school, state
[ graduate ]
Национальная академия наук
[ graduate ]
Гамбургский Университет Изящных Искусств
[ lecturer ]

Articles on KALEKTAR

Biuro Wystaw, Polish Modern Art Foundation, KALEKTAR
"Teraz / Zaraz": presentations of Belarusian artists living in Poland
[ mentioned ]
Lizaveta Stsiatsko
Review: "I look at Belarus and think – prison. The aspect of prison in Belarusian art"
[ mentioned ]
KALEKTAR, Andrei Dureika
Results of 2023
[ mentioned ]
OM Podcast
Episode 5: The Museum and Migration
[ respondent, mentioned ]

Associated Documents

Andrei Dureika
Belarusian Art Abroad: May 2023
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Status, Nadya Sayapina
Belarusian entropy: as irreversible as it is difficult to put toothpaste back into the tube
publication

Selected dates:

1989

She was born in Minsk (BSSR, today the Republic of Belarus).

2011

Completed a bachelor's in arts and crafts, Belarusian State University of Culture and Arts, Minsk, Belarus.

2012

Completed a master's in art history, National Academy of Sciences of Belarus, Minsk, Belarus.

2014-2015

Was a co-founder and art director of DK bar-club-space, Minsk, Belarus.

2016

Attended educational programs Curatorial School and 10 workshops. Workshops by Zhanna Gladko. Workshops by Alexey Lunev, “Y” Gallery of Contemporary Art, Minsk, Belarus.

2019

Attended Art Prospect Intensive in socially-engaged art, CEC Artslink, Odesa, Ukraine – Chisinau, Moldova.

2018-2020

Took a part in art-residences SPRAVA, KONTAKT, RECREATION ON THE BORDER, Belarus.

September 2020

Arrested for 15 days for participating in a anti-violence campaign Art of Regime, Minsk.

October 2020

Left Belarus and moved to Kyiv, Ukraine.

2020-2023

Was a fellow of Goethe Institute, MRI and took a part in CEC Artslink, Pilotenkueche, PerspAktiv residences, Ukraine-Germany.

2021-2022

Was a guest lecturer for the winter semester at HFBK University of Fine Arts Hamburg, Germany.

2022

Moved to Warsaw, Poland.

2022-2023

Was a set designer and a head of production design of the Opera King Stakh’s Wild Hunt by Belarus Free Theatre, Warsaw, Poland - London, United Kingdom.

Page created 9/30/2021
Last modified 7/22/2024
Editors:
Lizaveta Stecko INDEX Iryna Khalalovich