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2024

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
InshyJA (The Others)
"Artists and journalists are so dangerous to the regime because they teach critical thinking." How to talk about important things through art now
publication
"Фатаграфія — гэта лад жыцця". Вытрымкі з інтэрв’ю Уладзіміра Парфянка і фатаграфіі ягонага аўтарства
publication

2023

Belarusian National Arts Museum
"Butterfly with Flame Wings" phenomenon of creativity of the Belarusian artist Zinaida Astapovich-Bocharova
publication
Reform.by
"Я расказваю і пра тое, што цяпер адбываецца ў калоніях і турмах": мастачка Марына Напрушкіна аб сваёй выставе ў Берліне
publication
Andrei Dureika
Belarusian Art Abroad: April 2023
цикл "Беларусское искусство за рубежом"
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
Andrei Dureika
Belarusian Art Abroad: May 2023
publication
Status, Дита Войт
Mimicry. Almost white, but not white
publication
Chrysalis Mag, Пелагея Кудин
Zakhar Kudin
publication

2022

Reform.by, Светлана Станкевич
"Волонтеры для них в диковинку". Специальный репортаж Reform.by о беларусских "стюардессах" и украинских беженцах на польской границе
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Белсат
A sculpture exhibition in Hrodna was closed due to the denunciation of a lover of "russian world"
publication
syg.ma, Yuli Ilyushchanka (Karen Karnak)
Art that requires attention (and time), or some comments on the works of Semyon Motolyanets and Alina Khalitova
publication
Reform.by
Institutional breakdown, underground movements and international success: results of a year in art
publication
Chrysalis Mag
Is Art Brut art only for the mentally ill and marginalized? Let's look at the example of A.R.Ch's creativity
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Sasha Razor
The Code of Presence: Belarusian Protest Embroideries and Textile Patterns
publication
Chrysalis Mag
The School of Paris and modernity: how does the past become the present?
publication
Status, Olga Bubich
The story of one yard, or remember everything
publication
Chrysalis Mag, Alexei Kuzmich (junior)
Time to Act: Actionism, Performance, Activism. Part 2 Actionism vs. Performance
publication
Chrysalis Mag
Traditional art of Belarus: how it is preserved and transformed into the present
publication
Walera Martynchik. Catalogue 1
catalog
Walera Martynchik. Catalogue 2
catalog
Walera Martynchik. Catalogue 3
catalog
Walera Martynchik
Walera Martynchik. Reconstruction of events
book
Chrysalis Mag, Alexandr Adamov
Where where? In the open air! "There's Nobody Here" as part of the landscape
publication
Chrysalis Mag
Women of Belarusian art. Our past and present
publication
Уладзімір Зяленскі ў "выжыванцы" з арнаментам ад Руфіны Базловай
photo document

2021

2020

2019

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2016

2015

2014

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2012

2011

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2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

1995

1994

1993

1992

1991

1990

1989

1988

1987

1986

1985

1982

1977

1976

1974

1972

1971

1970

1969

1962

1960

1958

1956

1954

1953

1952

1937

1932

1930

1927

1925

1921

1920

1919

1912

1891

eng Automatic Translation

Olga Rybchinskaya

Art critic, curator, art critic.

Engaged in research and analysis of Belarusian art of the period 1980-2010s in the context of pan-European art.

Lives and works in Minsk.

Selected events

Whisper
2022. exhibition
[ author of the text ]
Archive by Colonel Sniegovoj
2021. archive project
[ author of the text ]
Чарнобыль. Эфект спячага
2021. group project
[ curator, author of the text ]
Половина
2021. solo show
[ curator ]
Equation of state
2020. group project
[ author of the text ]
The Alphabet of War
2020. archive project, international event
[ curator ]
Выход
2019. belarusian pavilion in venice, solo show, exhibition, pavilion
[ curator ]
Архив свидетеля войны
2015. solo show, museum project, research project, exhibition
[ co-curator ]
Архив свидетеля войны
2015. Беларусский павильон в Венеции, solo show, exhibition, research project, archive project, pavilion
[ co-curator ]
Suma Sumarum
2014. group project
[ moderator ]
From the Life of Mutants, or the Memory of the Future
2013. solo show, retrospective, museum project
[ curator ]
Belarusian Avant-Garde of the 1980s and 1990s
2010. group project, archive project
[ curator ]

Programs

Алексей Шинкаренко: Архив свидетеля войны
exhibition series

Selected Artwork Series

Dina Danilovich
ЖИВОЕ [ЛОЖНОЕ] ЖИВОЕ
2021, photo series

Associated institutions

Belarusian Pavilion in Venice
pavilion
[ curator ]

Articles on KALEKTAR

KALEKTAR
Exhibition "ZBOR Constructing an Archive" in Bialystok
[ participant, mentioned ]
Sergey Shabohin
Volha Arkhipava: “The culture and history of Belarus are an excellent source of inspiration and future prospects”
[ mentioned ]
OM Podcast
Episodes 6 and 7: Museum and Wars
[ mentioned ]

Associated Documents

Olga Ryibchinskaya
Ольга Сазыкина: инсталляция "Диалог, или Скатерть из лепестков", 1997
публикация
Новая Европа, Anna Karpenko
Кушать подано! – кого пригласили к "Столу" на 57-ой Венецианской Биеннале
публикация
Minsk. Non-conformism of the 1980s
book
Минск: [Ре]конструкция
catalog
Olga Ryibchinskaya
Партизанские номады
публикация
Книга "Радиус нуля. Онтология арт-нулевых"
book, каталог

Selected dates:

She was born in Minsk (BSSR, today the Republic of Belarus).

Collaborates with the Arsenal Gallery (Bialystok, Poland), the National Museum of Georgia, the Goethe Institute, the Ў Modern Art Gallery, the National Art Museum of the Republic of Belarus. She worked as the head of the exhibitions department at the Museum of Modern Fine Arts (Minsk). Chief curator of the National Center for Contemporary Arts (Minsk).

Author of analytical texts that problematize Belarusian contemporary art, as well as the inspirer and curator of a number of Belarusian and international art projects: “Belarusian climate”, “RETROSPECTIVE”, “Belarusian avant-garde of the 1980-1990s”, “Going Public. On the Difficulties of Public Expression”, “(Not) Patrebnae Excellence”.

Curator of the National Pavilion of the Republic of Belarus at the 56th Venice Biennale: project "War Witness Archive".

Page created 9/22/2021
Last modified 6/12/2023
Editors:
INDEX Mikita Bubashkin