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2024

Daria Semchuk (Сemra)
Amputation
2024, installation
Alexandr Adamov
Baby safe
2024, object
Aliaksandr Danilkin
Bathroom
2024, painting series
Elena Rabkina
Belarusian Dream
2024, installation
sierafimus
Blue Swamp
2024, painting
Eugene Shadko
Chaos style
2024, painting
Nadya Sayapina
Ciažar blukannia / The Burden of Wandering
2024, object series
Margarita Dyushko
Compassion
2024, painting
Margarita Dyushko
Disturbing Dreams
2024, painting
Ala Savasheviсh
Exercise Is Technique
2024, installation
Alexander Biruk
Feeding the Wildebeest
2024, painting
Alina Bliumis
Florephemeral
2024, painting series
Eugene Shadko
Foals
2024, painting
Ilya Padalko
Graduation
2024, painting
Alexander Biruk
In the presence of the lake
2024, painting
Gleb Burnashev
Invisible Quarter
2024, photo series
Anastasiya Dubrovina
Kapliczki Warszawskie
2024, photoseries
Дина Леонова
Keep Silent
2024, painting
Nadya Sayapina
Krajaviedy
2024, graphic series
Masha Mаroz
Leave Easy Come Back Safe
2024, video
Eugene Shadko
Light comes from darkness
2024, painting
Margarita Dyushko
Love Story
2024, painting
Anastasia Rydlevskaya
Mania
2024, painting
Aliona Pazdniakova
Market
2024, intervention
Margarita Dyushko
No name
2024, painting
Margarita Dyushko
No name
2024, painting
Margarita Dyushko
No name
2024, painting
Ilya Padalko
One day
2024, painting
Olia Sosnovskaya
Outdoors, Gunpowder Burns Quietly. In a Closed Space Gunpowder Explodes
2024, installation
Uladzimir Hramovich
People of Salt
2024, installation
Eugene Shadko
Playground
2024, painting
Nadya Sayapina
Pokuć
2024, video
Nadya Sayapina
POKUĆ
2024, multimedia work, installation
Margarita Dyushko
Pressure
2024, painting
Daria Semchuk (Сemra)
Purge / Ačystka / Təmizləmə
2024, painting
Margarita Dyushko
Push
2024, painting
sierafimus
Reflection
2024, painting
Alexandr Adamov
Riza
2024, object
Ala Savasheviсh
Roses
2024, installation
Yauheni Hlushan
Safety Place
2024, photo, installation
Daria Semchuk (Сemra)
SENSITIVITY
2024, painting
Anastasia Rydlevskaya
Snake Charmer
2024, painting
Daria Semchuk (Сemra)
Spleen
2024, painting, object
sierafimus
Sprong Passion
2024, painting
Aliaksandr Danilkin
Standing. Coffin.
2024, painting series
Margarita Dyushko
Statement
2024, painting
Anastasia Rydlevskaya
Strange Sun
2024, object
Aliaksandr Danilkin
Straw Bomb
2024, object
Артур Комаровский
The Constitution | Eat
2024, performance
Alexey Lunev, Sergey Shabohin
Title pages
2024, graphic series
sierafimus
Tom Yorke
2024, painting
Jura Shust
Untitled
2024, object series
Tatyana Kondratenko
Upside-down
2024, painting
Tatyana Kondratenko
Vertigo
2024, painting
Daria Semchuk (Сemra)
VYCINANKA (ad slova CISK)
2024, painting
Margarita Dyushko
Witness
2024, painting
Ilya Padalko
Без назвы
2024, painting
Марина Сайлер
Мир внутри
2024, painting

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Aleksei Borisionok

1992

Curator, writer and organiser.

He is a member of the artistic-research group Problem Collective and the Work Hard! Play Hard! working group. He writes about art and politics for various magazines, catalogues and online platforms such as e-flux Journal, L’Internationale Online, Partisan, Springerin, Paletten, among many others. He is currently a fellow at Vera List Center, New York, and, together with Katalin Erdődi, he is co-curating the upcoming edition of the Matter of Art Biennale in Prague (2024).

Currently lives and works in Minsk and Vienna.

Groups

Problem Collective
group

Selected events

Matter of Art
2024. large-scale exhibition
[ curator ]
Lossy notes or typically a presentation has many constraints
2024. exhibition
[ curator ]
Imagining OpenMuzej Belarus:  community, contemporary art, engagement 
2023
[ спикер ]
If Disrupted, It Becomes Tangible. Infrastructures and Solidarities Beyond the Post-Soviet Condition
2023. group project, overseas event
[ curator ]
A Forest Marathon / pARTisanka-Party
2022. overseas event
[ participant ]
ODKSZTAŁCENIE / ДЭФАРМАЦЫЯ / UNLEARNING
2021. group project, foreign, exhibition
[ curator ]
Neophyte II
2021. solo show, overseas event
[ author of the text ]
Every Day. Art. Solidarity. Resistance
2021. group project, large-scale exhibition, overseas event, international event
[ co-curator ]
A Secret Museum of Workers Movement
2021. group project, overseas event
[ curator ]
Калі камяні знаходзяцца на ўзгорку, гарматныя ядры ляжаць на абочыне
2018. solo show
[ curator ]
Absorption
2017. solo show
[ curator ]
Всё, что твёрдое, растворится в воздухе
2015. group project
[ curator ]
ZBOR. Constructing an Archive
2015. large-scale exhibition, overseas event, research project, archive project
[ expert ]
Minsk. Nonconformism of the 1980s
2015. group project, archive project
[ co-curator ]
Diploma
2015. group project
[ co-curator ]
XXY
2014. group project
[ curator, participant ]
OFFSIDE
2014. group project
[ co-curator ]

Selected artworks

Olia Sosnovskaya
Citing Sources
2021, performance
[ поддержка ]

Associated institutions

Work Hard! Play Hard!
festival headquarters
[ co-founder, со-руководитель, archivist ]
KALEKTAR
research institution, internet resource
[ co-founder ]
ZBOR
internet resource, research institution
[ участник совета ]
Facultative course of Activist Criticism (FAC)
lecture course, internet resource
[ co-founder, editor ]
On the way to the modern Museum
contest
[ winner ]
saliva.live
internet resource
[ contributor ]
Month of Photography in Minsk
festival headquarters
[ editor ]

Articles on KALEKTAR

Aleksei Borisionok
Андрей Ленкевич: проект "Прощай, Родина!", с 2011 года
Aleksei Borisionok, Maria Kotlyachkova, Sergey Shabohin
Why does an artist need an academy diploma?
Aleksei Borisionok, Maria Kotlyachkova
What is institutional criticism and why does an artist need it?
Sergey Shabohin
How to not/collaborate with art institutions in Belarus?
[ editor, консультант ]
KALEKTAR
Exhibition "ZBOR Constructing an Archive" in Bialystok
[ participant, mentioned ]
Aleksei Borisionok, Vera Zalutskaya, Raman Tratsiuk
What needs to be deformed? About (not) knowledge, clearance and refusal
Open Muzej (OM) , Ambasada Kultury, Pilecki Institut
Conference Imagining OpenMuzej Belarus
[ mentioned ]
Sergey Shabohin
Aleksei Borisionok and Antonina Stebur: "If Disrupted, It Becomes Tangible. Infrastructures and Solidarities Beyond the Post-Soviet Condition"
[ respondent, mentioned ]
KALEKTAR, Andrei Dureika
Results of 2023
[ mentioned ]
OM Podcast
Episode 2: Museum and (non)format
[ mentioned ]
OM Podcast
Episodes 3 and 4: Museum and Community
[ respondent, mentioned ]
KALEKTAR
Review: Digital art practices in Belarusian art
[ mentioned ]

Associated Documents

Andrei Dureika
Belarusian art: the future, armed with tools from the past
publication
Andrei Dureika
Belarusian Art Abroad: March 2023
publication
FIELD, Olga Kopenkina
No Time for Art? Strategies of Negation in Belarusian Art During the 2020 Anti-Government Uprising
publication
e-flux, Aleksei Borisionok
Queer Temporalities and Protest Infrastructures in Belarus, 2020–22: A Brief Museum Guide
publication
Reform.by
"Ёсць тое, што нельга зруйнаваць і немагчыма адсекчы": куратар Аляксей Барысёнак – пра афекты 2020-га, палітычныя архівы і выставы-даследаванні
publication
Aleksei Borisionok, Vera Zalutskaya
Что нужно деформировать? О (не)знании, зазоре и отказе
publication
Afterimage, Olga Kopenkina
Exhibition Review: Every Day. Art. Solidarity. Resistance. Mystetskiy Arsenal. Kyiv, Ukraine: May 3–June 6, 2021
публикация
BLOK, Anna Karpenko
The Best and Worst of Art in Central Europe in 2019
publication
Художественная практика и социальные изменения. Наблюдения из Беларуси и Швеции
edition
Status, Aleksei Borisionok
Industrial drama: the work and laziness of the artist in Belarus
publication
Status, Дина Жук, Оля Сосновская, Nicolay Spesivtsev
Lazy simulator
publication
Aleksei Borisionok
Алексей Лунёв: графический лист "Нiчога няма", 2009
публикация
Aleksei Borisiono k
Факультатив активистской критики: Интро
lecture
Aleksei Borisiono k
Зачем художнику диплом академии?
lecture
Aleksei Borisiono k
Что такое институциональная критика и зачем она нужна художнику?
лекция
Aleksei Borisiono k
Как не/сотрудничать с художественными институциями в Беларуси?
lecture
ZBOR, Aleksei Borisionok, Olia Sosnovskaya
Andrey Lenkevich: project "Farewell, Motherland!", since 2011
publication
Aleksei Borisionok
Флора и фауна "Документы"
публикация

Selected dates:

March 10, 1992

Born in Minsk, Republic of Belarus.

2015

He defended his master's thesis at the European Humanities University on the topic "Dispositive Belarusian contemporary art in the context of Eastern European artistic practices (1990-2000)".

Since 2014

He is one of the initiators and leaders (together with Maria Kotlyachkova and Sergei Shabohin) of the Faculty of Activism Criticism (FAC) - a course of lectures for students of Belarusian art institutions.

2014

Together with the artists Sergei Kiryushchenko and Sergeн Shabohin, he founded the research platform for contemporary Belarusian art KALEKTAR. The platform was presented on March 30, 2015.

Since 2014

He is a member of the expert council of the ZBOR resource.

2015

Helps organize the exhibition "Minsk. Nonconformism of the 1980s" as one of the curators of the project.

2024

Together with Katalin Erdődi, he is co-curating the upcoming edition of the Matter of Art Biennale in Prague.

Page created 5/6/2015
Last modified 10/25/2023
Editors:
INDEX Mikita Bubashkin Maxim Tyminko